Paperhand puts ‘Invisible Earth’ on the map

Darwin narrates evolution

The current production of the amazing Paperhand Puppet Intervention is one of our favorites among the nine and counting we’ve seen. “Invisible Earth” features a Charles Darwin character fast-forwarding through evolution with a message of peace, love, and stewardship — the usual lofty Paperhand themes. As always, Paperhand’s visuals amaze both children and adults. This year’s include dancing amoebas, barnyard animals, funky monkeys, a huge elegiac mask with outstretched arms, and a humanoid assembled with Japanese lanterns. Several times throughout the 90-minute show, cast members glided the stage waving huge strips of fluttering fabric hanging from bamboo poles, sometimes sending the caressing cloth out over the audience. Truly poetry in motion. Another highlight this year: gorgeous, searing music composed by Ari Picker (Lost in the Trees) and, as always, performed live by the Paperhand Band. Below are a few of our favorite images. But please, go see for yourself! Paperhand will be at its annual summer home, the historic outdoor Forest Theatre on the UNC Chapel Hill campus, through Sept. 8, and then at the NC Museum of Art amphitheater Sept. 13-15.

This year’s creations include jellyfish on stilts

Pigs walk through the audience to join the animal orchestra

The animal orchestra in action

Giant masks are a Paperhand signature

Outstretched arms signal a lantern surprise (top secret!)

Paperhand Puppet wows again

The Sun Goddess is one of our favorites.

Last night’s showing of “The Serpent’s Egg” was our seventh time seeing Paperhand Puppet Intervention, and it was my favorite show since our first, in 2006. (So sad that we lived here in Durham, NC, for two years before we discovered one of the country’s most amazing big-puppet performances!). Paperhand is a summer highlight, and we love the stage at Forest Theatre on the UNC campus. This year the visuals (more photos below!) were mind-blowingly stupendous in every act, and I appreciated that the “teaching and preaching” — all good stuff — came at the end instead of throughout. The music was particular stellar this year, as was the female vocalist, Claudia Lopez. Here are a few scenes:

Poignant and hilarious was "We Are All Just Babies," no matter our age.

Paperhand always turns a little dark, as in this macabre death dance.

These creatures are athletic and technically challenging. The "riders" are on stilts and their horses/birds (?) buck and stomp. Amazing.

Eleven puppeteers operated the serpent, which has a ferocious roar.

Paperhand cofounder Donovan Zimmerman steers the serpent toward the outreached hands of mesmerized children. Magical and moving.