Posts Tagged ‘Paperhand Puppet Intervention’

Paperhand puts ‘Invisible Earth’ on the map

August 14, 2013
Darwin narrates evolution

Darwin narrates evolution

The current production of the amazing Paperhand Puppet Intervention is one of our favorites among the nine and counting we’ve seen. “Invisible Earth” features a Charles Darwin character fast-forwarding through evolution with a message of peace, love, and stewardship — the usual lofty Paperhand themes. As always, Paperhand’s visuals amaze both children and adults. This year’s include dancing amoebas, barnyard animals, funky monkeys, a huge elegiac mask with outstretched arms, and a humanoid assembled with Japanese lanterns. Several times throughout the 90-minute show, cast members glided the stage waving huge strips of fluttering fabric hanging from bamboo poles, sometimes sending the caressing cloth out over the audience. Truly poetry in motion. Another highlight this year: gorgeous, searing music composed by Ari Picker (Lost in the Trees) and, as always, performed live by the Paperhand Band. Below are a few of our favorite images. But please, go see for yourself! Paperhand will be at its annual summer home, the historic outdoor Forest Theatre on the UNC Chapel Hill campus, through Sept. 8, and then at the NC Museum of Art amphitheater Sept. 13-15.

Stiltwalkers portray jelly fish

This year’s creations include jellyfish on stilts

Pigs walk through the audience to join the animal orchestra

Pigs walk through the audience to join the animal orchestra

The animal orchestra in action

The animal orchestra in action

Scene of the Visions of Earth

Giant masks are a Paperhand signature

The Great Unfolding

Outstretched arms signal a lantern surprise (top secret!)

Paperhand Puppet wows again

August 14, 2011

The Sun Goddess is one of our favorites.

Last night’s showing of “The Serpent’s Egg” was our seventh time seeing Paperhand Puppet Intervention, and it was my favorite show since our first, in 2006. (So sad that we lived here in Durham, NC, for two years before we discovered one of the country’s most amazing big-puppet performances!). Paperhand is a summer highlight, and we love the stage at Forest Theatre on the UNC campus. This year the visuals (more photos below!) were mind-blowingly stupendous in every act, and I appreciated that the “teaching and preaching” — all good stuff — came at the end instead of throughout. The music was particular stellar this year, as was the female vocalist, Claudia Lopez. Here are a few scenes:

Poignant and hilarious was "We Are All Just Babies," no matter our age.

Paperhand always turns a little dark, as in this macabre death dance.

These creatures are athletic and technically challenging. The "riders" are on stilts and their horses/birds (?) buck and stomp. Amazing.

Eleven puppeteers operated the serpent, which has a ferocious roar.

Paperhand cofounder Donovan Zimmerman steers the serpent toward the outreached hands of mesmerized children. Magical and moving.

A potent Intervention we could all use

August 30, 2009
Buddha was the main character on stage in 2006

Buddha was the main character on stage in Paperhand Puppet's 2006 show

For 15 years I lived in Boston, and for 15 years I ignored Bread & Puppet‘s  “cheap art and political theater in Vermont.” I was stupid and thought myself too cool to hang with the crunchies. I have found salvation from my sins here in North Carolina: Paperhand Puppet Intervention. (Plus, with age, I seem to have become a bit crunchie myself.)

When I first heard about Paperhand, my eyes glazed over. Puppets? Not my cup of chamomile.  But after enough People I Trust told me it was the coolest thing ever, I succumbed. My review: Coolest Thing Ever. I want to take everyone there, but since I can’t, I’ll just tell y’all about it. And, please, if you ever visit our neck of the woods, try to catch a show by one of the most creative artistic groups you’ll find anywhere in the world. To whet your appetite, check out their videos and photos online. If you need a ride, let me know.

Mother Earth fills the stage in 2008

Mother Earth filled the stage in 2008

First, the “puppets.” They’re huge, breathtaking, soulful, gorgeous. Also onstage at various times: giant masks, stilt dancing, rod puppets, shadow puppets and more. And a wonderful live band accompanies them. The puppets live at Paperhand’s home (secured this year!) in Saxapahaw, a former mill town being reborn by creative types.

Story about fisher family and a rapidly transforming world

A tale about a fishing family in a rapidly transforming world debuted in 2007

Second, the stories. They often start with an epic myth (this time the Babylonian creation epic) played out violently and then transforming into scenes of  peace, love, social justice, etc.  Yes, the audience is hit over the head with this stuff, but it’s OK because it’s all true and real and wonderful and you just want to have a giant group hug by the end.

Stilt dancers in the 2008 show

Stilt dancers in the 2008 show

Third, the people. Paperhand was formed in 1998 by co-creators Jan Burger and Donovan Zimmerman. You know they and their co-conspirators are not getting rich doing this, so you already have to love them for pouring their hearts, souls, energy, and savings accounts (as if) into carrying forth a mighty mission. From their website: “Our vision is inspired by our love for the earth and its creatures (including humans) as well as our belief in justice, equality, and peace.” And this: “Paperhand’s mission is to make work that inspires people, promotes social change, and is deeply satisfying for everyone involved.”

There are always (I think) four acts. The third ends with the biggest puppet/creature (carried forth by several people) going up into the audience to be touched by adoring children in the crowd. The first year we went, in 2006, the star was a heart-achingly beautiful 20-foot Buddha. This year it was a lion. But it was so much more than that.

Children touch the lion during the traditional walk thorugh the audience

Children rush to touch the lion as it lumbers through the crowd

This year’s 10th anniversary show,  “The Living Sea of Memory” (in the area through Sept. 12), is  dedicated to Kevin Brock, the band’s drummer and dear friend, who died last year at the very early age 37.  There has been a huge outpouring of love for this man who illuminated many people’s universes. The lion in the performance is Kevin. It comes through the crowd after the act called “Memory,” in which family stories (from the cast) are shared through the puppets. I think I would have cried anyway, but after losing my mom this year, those stories tore me up.  When the lion came lumbering up the stairs of the wonderful Forest Theatre amphitheater, children rushed up, hands reaching out to touch him. Pure magic.

Standing ovation for another magnificent show

In 2009, the usual standing ovation for another magnificent show

I read today that several of the shows on this current tour have been rained out, which means less money for the troupe.  I don’t expect you to read this and send in a little tax-deductible donation to help cover Paperhand’s rent, but you’re certainly welcome to.  And please try to see these amazing artists and activists.  They are the change they wish to see.