Posts Tagged ‘Ellsworth Kelly’

At MFA in Boston, old, new, and still friendly

January 9, 2012

The original grand entrance to the Museum of Fine Arts remains the same

When I lived in the Boston area, from 1989 to 2003, I visited the Museum of Fine Arts often and knew the layout and collections pretty well. Returning to the MFA recently was like visiting an old friend who had struck it rich but was as likeable as before. From November 2010 to September 2011, the museum grew by about 200,000 square feet, first with the Art of the Americas wing and then with the smaller but also wonderful Linde Family Wing for Contemporary Art. Everything was familiar, but different.

Glass tower anchors the courtyard

Most visually new and exciting is the Shapiro Family Courtyard, a huge gathering space with café and the 42-foot “Lime Green Icicle Tower” by glass artist Dale Chihuly. The museum appealed to the public last year to help purchase the yummy cylinder of glass for $1 million. They came through, and we’re all benefiting. (I love this time-lapse video of the tower going up.)

Before I go further, let’s discuss the rules, summed up succinctly below in the neon installation “Please” by Danish-born artist Jeppe Hein. Delightful, playful, informative. Love it!

You'll want to follow Jeppe Hein's rules

In the Art of the Americas wing, I gave up trying to find my place and just enjoyed the 53 (!) galleries, including nine period rooms that are like little extra museums. The more than 5,000 works shown more than double objects previously displayed. About 500 are new, 175 are loans and the rest had been stashed in the basement.

The European art was moved around enough that it took me forever to find my favorite Van Gogh, “Lullaby,” a painting of Madame Roulin, the postman’s wife. But where I was when I found it I had no idea. Clearly I’d need to spend many more afternoons here.

In the contemporary wing, which tripled the space of the previous area and shows 250 works in seven new galleries, I was thrilled to find my favorite Kiki Smith, “Lilith,” hanging from the wall as always, along with many more purchases and loans. The last rooms we entered held a special show, 30 of Ellsworth Kelly’s wood sculptures, spanning his career. (It’s up through March 4.) Unlike his colorful paintings, these are natural wood tones, sparse and elegant.

Alas, time has run out for 'The Clock'

Before we left, we watched 30 minutes of  “The Clock,” a 24-hour video by Christian Marclay that apparently is no longer at the MFA. (FIND IT AND SEE IT!) The compilation of thousands of movie and TV clips of clocks and watches tells the current time at any given moment and is synchronized with real time. While there’s no plot, we were hard pressed to leave our seat, waiting to see how, for instance, 1:42 p.m. will be depicted. While we were constantly reminded of the time, it still got away from us.

Seattle’s best blend: art on the waterfront

September 16, 2008
Eagle (1971) from Alexander Calder with the Puget Sound in the background (Click to ENLARGE)

Eagle from Alexander Calder with Puget Sound in the background (Click to ENLARGE)

When Wessel and I flew into Seattle this past spring to then go on by car to the Olympic Peninsula, we first took one detour — to the new Olympic Sculpture Park. This amazing green space, open since 2007 and operated by the Seattle Art Museum, is to me one of the most exciting spots in the city. Not only are the landscaping, art, and setting magnificent, admission is free! Below is a little ditty I wrote about it for the Boston Globe travel section “Rave” feature on Sept. 7 (illustrated by one of Wessel’s photos). I just noticed that I used the word “impressive” twice. I’m surprised my editors didn’t catch that!

Urban art with a green heart

SEATTLE – In an impressive makeover, this forward-thinking city has turned a former fuel-storage and transfer facility into a striking sculpture park.

Fountain with sculpture Father and Son (2004-2006) from Louise Bourgeois; the Father is covered with water

Fountain with sculpture Father and Son (2004-2006) from Louise Bourgeois; the Father is covered with water

Opened by the Seattle Art Museum last year, Olympic Sculpture Park, on the northern end of the waterfront, is in a vibrant area to stroll, shop, eat, and admire world-class sculpture. The nine acres of green space that overlook Puget Sound and look out at the Olympic Mountains bring together the best of this city: art and outdoor recreation.

Rotating neon ampersand part of Roy McMakin's installation `Love & Loss` (2005) (Click to ENLARGE)

Rotating neon ampersand, part of Roy McMakin's installation Love & Loss (Click to ENLARGE)

What’s most impressive is the way the park melds contemporary landscape design with existing urban infrastructure. A 2,500-foot, Z- shaped route follows the landform, leading from the visitors center and cafe on a hilltop through a series of outdoor “galleries” marked by differing landscaping down to a waterfront recreational path.

Of course the 21 sculptures take center stage, representing such artists as Louise Bourgeois, Alexander Calder, Richard Serra, and Ellsworth Kelly.

Mark Dion's Neukom Vivarium, a greenhouse with a 60-foot hemlock nurse log

Mark Dion`s Neukom Vivarium, a greenhouse with a 60-foot hemlock nurse log

The most provocative sculpture is Mark Dion’s “Neukom Vivarium.” The New Bedford, Mass., native and Pennsylvania resident custom-designed a greenhouse that houses a 60-foot-long western hemlock nurse log, whose decay and renewal represents the cycle of life.

IF YOU GO: Olympic Sculpture Park, 2901 Western Ave., 206-654-3100. Opens 30 minutes before sunrise and closes 30 minutes after sunset. Free.